A simple site where I can post my writings. Some will be from AUT and some will be my own stuff.
Thursday, April 26, 2012
Write a personal story but from a different point of view
Assignment One: Voices 2012
Thursday, March 22, 2012
Voice Class (23 March)
Exercise One: Exterior to character.
Move from limited perspective to a subjective point of view. Write in third person.
This is my attempt:
Steam rose from the untouched drink in front of her. She sat idly holding the little saucer. Her clutch resting on the table. Perfectly matching the ivory dress with the black belt she wore. The chipped white metal table sat atop of worn flagstones outside the Parisian coffee shop. It’s little patio hedged in by lush green bushes housed in clay colored pots, separating her from the foot traffic on the other side. Their continuous patter broke up the hum of the traffic on the road.
The taxi, rounded on top in the style of the English cabs with the usual checked mark on its side, pulled up onto the curb and backfired loudly. The sudden roar left a silence hanging in the air until the previous noise decided to come back and reclaim its place.
He stepped out of the taxi, his white cotton shirt tucked into the blue jeans with the brown belt and cowboy boots, and stared at his waiting companion. Her hands digging through that little bag pulling out one of those damned cigarettes. Sighing to himself he made his way over to her.
“Those things are just horrid” came her voice, shaking on every word. “Did it have to do that?”
He looked at her and a note of contempt entered his voice “Yes. When I called up for a taxi I specifically asked for the one that could backfire on queue, just because I knew what it would do to you”
He saw her eyes tighten and tension enter her jaw. “There is no need to take that tone. You know how I am these days, all because of you.
“True, but how many times do I need to apologies for all of that?”
She placed the cigarette between her lips, yellow stains of the nicotine showed through the once white teeth. She ignored him and allowed the question to suspend itself in the air, delaying her answer while she looked for matches.
Carefully he reached across to her, a silver lighter in his hand. With a daft flick, the lid opened and a flame ignited. Their eyes met and slowly he watched her face relax as she leaned in taking that first drag off the cigarette that he knew always relaxed her nerves. Maybe this wouldn’t be such a bad rendezvous.
Voice Class (16 March)
Exercise Two: Unreliable Narrator
- The first unreliable narrator is a narrator with limited knowledge, As in a small child or someone with limited knowledge (handicapped)
- The second unreliable narrator is a narrator that is lying, that makes no promise that what they are telling is the truth. More telling the story as they remember instead of what actually happened. (The Curious Incident of the Dog in the Night-Time by Mark Haddon, Lady Gaga’s Marry the Night)
- The third unreliable narrator is Sherlock Holmes character Watson.
To do:
Create a vernacular voice. Make them unreliable (naive, limited understanding. Lying) Create a plot, Conflict.
A lying character
Committed a crime
Notorious crime
Not there fault
Explaining why it isn’t there fault
This is my attempt:
I don’t care if you don’t believe me, quite honestly I couldn’t give a fuck. But if they are going to tell lies about me, then I think its only fair I get to tell my story. Sure, why would you believe me? The papers have already marked me down as a cold-blooded murderer. It’s written in ink so it must be true. Its all bullshit. I promise there were reasons. For each and every one of them I killed they were reasons. My lawyer claimed I was mentally disturbed, wouldn’t even let me testify, the prick. I’m not. Not at all. I had reasons and soon you will see. I know most will just dismiss this as a madman’s ramble. But those whose eyes are open you will read this for what it truly is and complete my work. There was a purpose and soon you will understand. I will make some of you understand that I had my reasons. That I am a hero, and not the monster you scary your sons and daughters with. Soon you will come to thank me.
Voice Class (16 March)
Exercise One: Take seven objects from someone else and create your own story.
· Dark Room
· Computer
· Skinny Girl
· Open doors
· Music playing
· Spill on the floor
· Perfume
This is my story.
Whump, whump, whump. The bass sounds mixed in with keyboard and the strings of guitar. I closed my eyes; letting the wash of the music roll over me, engulf me. It’s rhythmic pounding pulling me closer and closer into the room. One step. Another. Soon my body swayed and I began to sashay forward.
I don’t know when I opened my eyes but the darkness stayed with me. Not replaced by light only by a smell of night blooming jasmine. Turning my head I sniffed the air. Weaker that way. I rotated my body heading to the other side of the room. Music called out to me. Stronger with the perfume smell. All wrapped in darkness. Pointy soft foam cushioned my face as I walked into the sound proof wall. I laid my hands out feeling its ridges and slowly extending them either side till I found the wooden frame of the open door. The hall on the other side stretched out to the other side of the building. Soft glow came from the doorway at the end. Lightened, if only just, I trotted forward along the linoleum floor.
My footsteps coming down in time with the music. Closer I came, Closer I was pulled onwards. Right up until my foot came down and instead of staying where I put it, slipped out from under me, sending my sliding forward the rest of the way.
She turned towards me. Her skinny frame haloed by the glow of the computer behind her. Light captured her frame. The sounds of her newly composed piece of music still sampling behind. I could see quite clearly she was laughing and there was nothing I could do but join her.
Thursday, March 15, 2012
Voices Class (9 March)
- Create a first person narrative
- 5 Objects
- These objects in a room
- Do these objects belong to the character or does the character need to work out what the objects are.
- Sensory Image
- Monologue / Vernacular
- Motif
Below is what I wrote:
The metal L shaped handle felt cold in my touch as I stood before the grey metal locker. My heart pounded in my chest and I needed a moment to steady my breathing. Slowly, turning the handle, its stiffness taking a moment to give under my gentle pulling did the door finally pop open and swing with a smooth motion under my grasp. Darkness filled the inner space and I couldn't see anything in the void that lay beyond.
I turned to look back around the room. Rows and rows of similar lockers filled each of the structured lines with benches laying in between giving off rows and rows of uniformity. Hanging lights evenly spaced glared down into my eyes and I noticed the one closest to me hung right above my head.
I moved back placing the cardboard box down on the wooden bench behind and allowing light to seep into the darkness. Its contents illuminated I reached into its contents emerging with the worn leather jacket. He wore this nearly every day. I pulled the leather up and took a deep breath of his sent filling my body with him. Tears began to fall but I wiped them away as I placed the jacket next to the box.
Carefully I reached in again, this time a worn wooden frame came out, placed inside was a photo of us taken the night we met under that stupid picture of red forest in our long forgotten bar. The warmth of the wood felt comfortable in my hand, reminding me of his touch sliding over my fingers. I had to let go and give it rest in the waiting box.
The smiley badge sat on the top shelf. It smooth surface felt cold in my fingers till I felt the sharp jab. He never did close the pin unless he was putting it on, and he never went on duty with out it. So why was it here? I shook my head, a question for another time.
The rest I picked and placed in the box. Each item pulling another tear from me, reminding me of our life together that had been cut short.
Finally empty, making one final sweep of the content I found the letter tucked in back. Sealed and unopened. Addressed to me. Yellow from age but definitely with his poor penmanship on the cover. My fingers trembled as I touched it. Slowly reaching up, the ripping on the paper tearing at my insides. Hands shacking I pulled the paper out, unfolding it till I stared at the writing
"My love if you are reading this then it means that I have died." Words that shook me, collapsing my legs and pulling me against those grey vacant lockers.
Voices Class (9 March)
You first task was Tone. We were asked to take a single passage you have written and change the tone of the passage without changing to much of the story itself. We were asked to look at, Joy, Conflict, Sadness. Below is what I wrote;
JOY
The dot on the horizon took shape as I got used to the bouncing going on around me. The further we had come the higher we seemed to go up. My hands gripped the sun warmed wire rail holding on to the boats steady rhythm. Sunlight filtered down bringing in the details of the dock to me. Giggles of children running the deck to see the best view of the oncoming land, there fingers pointing out the distant mountains with city lights at its base, each talking as loud as they could with what they intended to do once we got back home. The closer we got the more animated their voices became, until several adult began herding them downstairs to the waiting vehicles.
Unable to take my eyes away from the now near wharf I stayed fixed where I was. The ferries bouncing slowed to at fast hum as we pulled in and bumped against the wood. From my vantage point I could see them waiting for me and no sooner had I seen there hands pumping in waves did I return the gesture and race down to the gang plank. Feet pounding in time with the humming I raced across as fast as I could make it and into the waiting arms.
"Papa" they said as they hugged me close "We missed you."
"I missed you to biscuit" I said as I scooped my daughter up into my arms and hugged her close.
SADNESS
The dot on the horizon took shape, as the bouncing going on around me got worse. The further we had come the higher we seemed to go up. My hands gripped the wire rail desperately wishing for a steady rhythm. Sunlight filtered down through the oncoming clouds hiding the details of the dock to me. Noise from nearby children running on the deck fighting to see the best view of the oncoming land, their fingers pointing out the distant mountains with dull city lights at its base, each talking adding to the noise of the boat and the pounding in my chest. The closer we got the more animated their voices became, until finally several adult began herding them downstairs to the waiting vehicles.
Unable to take my eyes away from the now near wharf I stayed frozen where I was. The ferries bouncing slowed to at fast hum as we pulled in and collided against the wood. From my vantage point I could see them waiting for me and no sooner had I seen there, their upturned faces looking at me did I race down to the gang plank. Feet pounding in time with the humming I raced across as fast as I could make it and into the waiting arms.
"Papa" they said as she hugged me close, Her red eyes and tear streaked face buried itself in my shoulder "We missed you."
"I missed you to biscuit" I said as I scooped my daughter up into my arms and hugged her close. With her in my arms I let myself cry for my Newly deceased wife.
CONFLICT
The dot on the horizon took shape as the bouncing going on around me got worse. The waves never giving the boat a chance to find its steady rhythm. My hands gripped the wire rail as it splinter dug itself into my palm. Sunlight fought itself down through the oncoming clouds bringing in the details of the dock to me. Noise from nearby children running on the deck, fighting to see the best view of the oncoming land, Their bodies pushing each other aside while pointing out the distant mountains with city lights at its base, each talking as loud as they could Out doing each other about who would have the best time in the city. The closer we got the more louder their voices became, until finally several adult, told them to be quiet and get down stairs to the buses.
Unable to take my eyes away from the now near wharf I stayed rigid where I was. The ferries bouncing finally slowed to at fast hum as we pulled in and collided against the wood. From my vantage point I could see them waiting for me and no sooner had I seen there, their upturned faces looking at me did I bother to head downstairs to the gang plank awaiting for me. Feet tripping on themselves, I could made my way across To stand next to them.
"Papa" She said as she looked up at me, Her eyes quickly went downcast and back to the uneven wood "I'm sorry."
"We'll talk about it when we get home" I said as I as I made my way to the car, my teenage daughter trailing behind.